For several days now, I've been struggling to understand why I'm so out of the loop on this one. It's not because I don't like experimental films or Richard Linklater. I didn't like Boyhood because it wasted my time with mostly unlikable characters, generally bad storytelling, and a whole lot of nothing.
Personally, I think the Hollywood hypocrite's run has gone on long enough. Women as actresses have always been a fundamental aspect of Hollywood itself. They represent the glamour and beauty that made Hollywood what it is today, but this is a new age. Beauty can exist with power, and dominance should not be defined by one's gender.
The art of film directing has been revered since the days of the Lumière Brothers, before the title of director had even been bestowed. Now, the director has achieved a level of celebrity that is only growing exponentially.
While potential moviegoers may share a penchant for idiosyncratic white men and tortured geniuses, they may also enjoy female protagonists and films with casts of color involving themes other than slavery, civil rights, or race relations.
This year, three different films with "Made in NY" creds are up for the coveted Oscars, according to the New York City Office of Media and Entertainment. And a slew of other New York productions have recently won other awards.
This awards season, forget American Sniper. See the controversial movie Quebec separatists don't want you to see but conservationists can't wait for you to see but botanists forbid you to see but environmentalists say you must see. See Canadian Sniper--or at least its trailer. Go Canucks!
Birdman is obviously a work of art, and more than that, it's a comedy, a fact that Keaton, who started his career as a standup comedian in Pittsburgh, couldn't be happier about.
Of course, since this is a Wachowski offering, the visuals are frequently stunning in an overwhelming manner, and scene after scene is quite entertaining. There is a problem, though, with the casting.
What film will win the Best Picture Oscar this year? Will it be the one with the greatest production accomplishment? Will it be the one that takes you deep inside a character's subjective world-view and makes you see life from his limited perspective?
Some years were quieter celebrations, but just as ceremonial. Even watching them on my own, I bowed to the sense of occasion. I lined up my time-honored snacks, burrowed under my favorite quilt and glued myself to the proceedings, shouting at the screen the entire time.
I enjoyed Kristen Wiig's surprise appearance as Sia's stand in for "Chandelier," as Sia does not face the audience while singing. BTW, can Kristen Wiig be a stand in for me in all aspects of my life? Please and thank you.
The Oscar-winning 1991 road trip buddy film directed by Ridley Scott and written by Callie Khouri was groundbreaking. Not only did its two empowered female characters strike a worldwide nerve, the movie also helped set the bar higher for female roles.
Traveling around Europe lecturing about Turing, I'm often asked just how accurate the movie is. If you really want to know, the answer is that much of it is wildly wrong, and not just with respect to fussy little details that matter only to professional historians.
This was a major weekend for Oscar predictors, starting with the Directors Guild of America (DGA) Awards and wrapping up with the British Academy of Film and Television Arts (BAFTA) Awards. Lots of very important data came in, so let's get right to it.
In addition to fame and fortune, Hollywood's biggest stars also have the opportunity to travel to impressive hot spots while on set.
Now, with Mommy, the easy-on-the-eyes filmmaker has been catapulted in to the top ranks of world directors -- up there with Almodovar, François Ozon and Paul Thomas Anderson.