On January 20, 1980 Mary McCarthy, never known to mince words in print or in person, was asked on Dick Cavett's PBS talk show whom she considered overrated writers. After a moment's thought, Lillian Hellman came to her mind.
Lester is a creative associate of the Tricycle, and husband to playwright Chakrabarti. This is incidental information; Lester's performance in Red Velvet, under any circumstances, is a marvel of thunder and spellbinding power.
One of the great pleasures of going to see ballet in a dance capital like New York is that she is likely to be seated next to a true veteran who starts conversations with "I saw José Limón dance the Moor."
What did that decision-making process look like? "Hmmm, well my dog is a FEMALE and I think she is so PRETTY so I'm going to name her either 'she' or 'beautiful' in another language and I will love it until the Apocalypse.
The funniest aside takes place during one of Walters' most demanding sequences as disillusioned Brutus. What she breaks it off to say to her convict colleagues won't be revealed here, but it's a laugh-and-a-half.
Most mass shooting gunmen live not necessarily in a world of psychosis but rather by an ethos of hatred and sadism. These killers adhere to the philosophy of Iago, who proclaims "I am not what I am," a nihilistic credo that attempts to refute Yahweh's life-affirming "I am what I am" code.
When Othello was first performed by William Shakespeare's theatre group the King's Men, at London's Whitehall Palace on November 1, 1604, the role of the Moor was played by white actor Richard Burbage in blackface make-up.
To begin with, he talks to you - yes, you. Not at you, like most soliloquisers, or to everyone in general, or to himself (Hamlet being the best exemplar of that). It's as if he's putting a hand to the side of his mouth, drawing you close.