As a visual artist, I have high hopes for what vision can become in the 21st century. Our century is still a teenager in its formative years and our creative actions today are the tiny seeds of Art's robust future.
I don't often write about the arts, but an announcement this week is cause for real excitement -- not only because of the entertainment it will provide to the audiences lucky enough to see it, but because of the way it will transform those who perform.
What is the biggest crisis facing contemporary concert dance? If you ask almost anyone in the field, they won't say talent is sparse. They won't say there is a creativity deficit. They won't say there aren't enough innovative collaborators.
The broader point to be discussed is this: we have transitioned away from a paradigm where newspaper critics act as the gatekeeper between art and audiences to a new reality where algorithms perform that function.
If you look past the veneer of drag, you see Andrew as a man struggling to balance these two very different sides of his life. There is a fire within Edie that guides her, and I can easily see her making it big. But there's no promise that show business will make life better for Andrew.