At brunch at the Vault in the St. Regis Hotel last week, writer Aaron Sorkin spoke about his script, loosely based on Walter Isaacson's biography.
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I understand creative license and why films need to condense, simplify, fudge, and invent to create drama, but is there a point where this can be considered excessively dishonest?
A young girl is forced to confront inconvenient truths both global and personal in the drama Future Weather.
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