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In 1985, German director Wim Wenders was prodded by his girlfriend to watch a performance of choreographer Pina Bausch's eerie Café Müller, not knowing that what he was about to witness would change his movies and his life.
Heavy-hitting filmmakers are turning their cameras on dance and it's an honor. It's also a puzzlement. With Pina, Wim Wenders joins the recent ranks in crafting rapturous, high-tech paeans to the art form.