We can be romantically involved with, or be children to or parents of people of color, and experience moments of prejudice, and yes, racism. We can have mothers and sisters and wives and daughters -- we can be women -- and fall into sexist patterns of thought and action.
In Interstellar, an ambitious, thrilling, emotional though bumpy sci-fi trip through space and time, Christopher Nolan focuses his lens on two powerful forces: gravity and love. The film begins with an extended set up in the-not-so-distant-future to show us that our planet is dying.
For our very first yak track, just in time for Friday's highly-anticipated release of Dawn of the Planet of the Apes, we've selected the 1968 original that got the whole franchise started: Planet of the Apes, starring Charlton Heston and directed by Franklin Schaffner.
I never intended to be a myth-buster, but I'm not disappointed, however sorry Fox is. The trip is too interesting for that, the landscape, yes, too otherwordly, far too awesome in the word's original sense before its current one-stop usage.
The visuals of The Twilight Zone form a kind of collective generational nightmare. The remarkable thing about the man who created many of these episodes from 1959 to 1964, Rod Serling, is that the writer-presenter learned his craft not in the visual era but in the age of radio drama.
All great movies -- and great movie endings -- stay in our memories as normal or indifferent ones never could. They're like great taglines -- their strength lies in the very fact that we can't forget them.
Malibu might be known for its beaches, but you should trade your wet suit for hiking boots to enjoy Malibu Creek State Park. A variety of short and long hikes within the park lead to pools, peaks, lake views, and even famous film sets.
Were Ingrid Bergman and Edward G.Robinson offered choice roles in The Planet of The
Apes? Did producer Val Lewton make a grave error in 1943's "The Seventh Victim?" Was stongman Steve Reeves ever cast as Tarzan?