There is only one adult in the room in The Ides of March: Philip Seymour Hoffman. The rest is sort of an MSNBC/Jersey Shore political cartoon.
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The timing may be just right for George Clooney's probing tale, The Ides of March, which Sony Pictures is positioning as a political thriller, but comes across more as a political fable.
While these tools may seem basic, I found that a great lesson of screenwriting was to pay attention to these fundamentals, even as I tackled more sophisticated writing projects.
Contemporary political novels -- the ones that sell, at least -- are more concerned with political disengagement than they are with values or beliefs....
In a quirk of convenience, [the opening] line also describes the best way to deconstruct The Overton Window, a copy of which Media Matters obtained an...
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