Jane Austen may have died in 1817, but her novels have survived more than 200 years -- not only survived, but they've been reinterpreted in a hundred different ways, none more so than her most beloved novel, Pride and Prejudice.
At age 12, my obliviousness was a survival instinct. As my peers experimented with make-up and clothes, I wore a sports bra to school, my hair frizzing into the stratosphere. Most days were spent doing what I loved best -- reading.
In vain they struggled, but it wouldn't do. Their feelings would not be repressed, and as readers, we eagerly read on as their love overcame them and finally culminated in a moment of passion and truth.
Some of the most popular and well-known heroines of literature are the outspoken troublemakers. Think Scarlett O'Hara, Anne of Green Gables, Emma Woodhouse, Becky Sharpe or Lady Macbeth. And then there are the wallflowers.
Both globetrotters and entertainment critics alike will agree that Europe sets the stage for some of the world's greatest adventures, from Greece in Mamma Mia to France in Les Misérables. What film will inspire your next holiday?
Anna Karenina, one of last year's most talked-about productions, is a product of a longstanding friendship between a director and his muse. The relationship between Knightley and Wright harks back to that 2005 adaptation of Pride and Prejudice. Then came 2007's Atonement.
As bookshelves (and e-readers) continue to groan with knock-offs of Seth Grahame-Smith's knock-off, Pride and Prejudice and Zombies, it seems worth asking: are zombies and ninjas the only way to make the novels of previous centuries relevant again?