iOS app Android app


Moving Side Show to Broadway

Michael Kaiser | Posted 10.18.2014 | Arts
Michael Kaiser

Whenever a show makes this big move it is a cause for celebration. It suggests that the producing theaters created something of value, something that for-profit producers believe will be of interest to a far wider audience than any single regional theater can reach.

This Guy Knows What's Up

The Huffington Post | Ross Luippold | Posted 11.19.2013 | Comedy

Two important things we learned from this video: Number one, there's a thing called the Old Time Piano Contest. And two, even Beethoven's "Fur Elise" ...

Creative Cultural Cross Referencing (How to Link Stephen Sondheim to the Original Siamese Twins)

George Heymont | Posted 05.25.2011 | Arts
George Heymont

Let's look at two recent events, play a little cultural mashup, and examine the results.

I Dream: Lowery & Young Join King Family at World Premiere of New MLK opera

Cedric Perrier | Posted 05.25.2011 | Arts
Cedric Perrier

The illustrious audience received I Dream in the spirit in which it was presented: as a fresh twist on an old story.

Ragtime Battles Celebrity Factor on Broadway, Closes Proudly

James Sims | Posted 05.25.2011 | New York
James Sims

Ragtime's lack of celebrity is one of many reasons why the musical failed to set box office records. While that ultimately led to an early demise, it should wear that as a badge of honor.

Broadway Looks at Racism in the Obama Era

David Finkle | Posted 05.25.2011 | New York
David Finkle

Of the 35 productions running or opening shortly -- including Hamlet and Patrick Marber's After Miss Julie -- at least 10 offerings have a rainbow-coalition hue.

What I Learned From Ragtime

Michael Kaiser | Posted 05.25.2011 | Entertainment
Michael Kaiser

It is much easier it is to sell a show when it is produced by a not-for-profit institution (like the Kennedy Center) than when it is a stand-alone, for-profit venture, as most Broadway shows are.