Jim Parsons, adored for his appearances as Sheldon Lee Cooper on The Big Bang Theory, is now appearing at Studio 54 (although it's not a Studio 54 production) as the Supreme Being, though there's a catch.
When Paint Your Wagon was first done and record companies still actively scoured upcoming scores for chart-topping possibilities, the ones selected were "I Talk to the Trees" and "They Call the Wind Maria."
When Little Me opened in November 1962, its major pluses were Sid Caesar, the Carolyn Leigh-Cy Coleman score and the rarely-miss Neil Simon gags. Revived at City Center this weekend, it can crow about what could be called a breakout performance by Christian Borle.
Whether singing, dancing or acting, not a man or woman among the ensemble submits less than an effervescent performance. Rivera, who knows every trick in her personal book, gleefully pages through it. Chase is amusingly dastardly.