Today, pin-up is enjoying a popular revival. Modern-day pin-up girls, like HellCath and others, have grown out of the subcultures of Rockabilly and Kustom Kulture and then been taken mainstream by social networking heavy hitters.
The retro pin-up look from the 1940s and 1950s, which was popularized by the likes of Jane Russell, Marilyn Monroe, Jayne Mansfield, and pin-up icon Bettie Page, is increasingly being seen everywhere around the world.
Brian Setzer: "I'm kind of an anomaly there, I never really fit into anybody's box. I don't know how I got those Grammys because I am certain there's not a rockabilly category. They just kind of squeezed between the cracks somehow."
"Oh God, I've taken all the advice from myself, and that's why I'm giving it to somebody else, because I'm really happy! I enjoy music so much, it's such a passion in my life and I hope that comes across."
It's a cliche to say that sometimes life is like a country song, but there still is some truth in it. Following the career 'upswing', Adler's home burned down. Recovering from that setback, he put together a new band called Cross Country -- only to be stopped by a heart attack.
With a performance on The Tonight Show with Jay Leno, an appearance on the Late Show with David Letterman earlier this month and a debut record that reached #47 on the Billboard album charts, JD McPherson is enjoying one heck of a pop cultural high.
The Black Keys and Jack White would kill to imbibe whatever magical potion Wray was concocting. And as much as I respect the Keys and White, they'll never achieve the alchemy of Wray. And they would surely agree.
It makes sense that the members of a band that plays songs about hard liquor and crime would, when asked a direct question, point their fingers at each other. It's also true that the Highballers are an exceptionally strong band.
You can find out a lot about one's listening habits while out on the road. "Driving Jams," as Free Energy drummer Nick Schuminsky calls them, afford a look into both individual taste and a band's ethos.
Fred Kaplan's enlivening 1959: The Year Everything Changed, argues that the '50s -- a decade that saw the invention of the microchip and the creation of explosive art -- has been misunderstood in hindsight.