Reading about Swinton's collaboration with MoMA, I couldn't help but reminisce about a certain afternoon back in 1996 that I spent in the company of Quentin Crisp where sleep would also prove to be transformative -- for me.
Writer/director Sally Potter has switched the shift typical of films set in the 1960s from personal and sexual enlightenment to stone-still disillusionment in Ginger and Rosa, which begins with the mushroom cloud of Hiroshima.
That Potter's work deals with changing identity makes it perfect viewing during those transitional periods in one's life. It's comforting to know that Potter's films are here to make those transitions with me.
Believe it or not, in a pop culture filled with mindless reality shows and slick formula franchises, there are still a few players out there whose work offers a glimmer of hope that originality and intelligence can prevail. Tilda Swinton is one such player.