Comedy rarely takes blacker form than it does in George F. Walker's Dead Metaphor. At the same time, the pursuit of laughs rarely takes more timely, absurd and hilarious form than it does in this world premiere being staged by American Conservatory Theater.
Call it what you will, I fell in love with NOPA at first sight. I love its mellow mood.
There is a folk tale / fairy tale feel to this month's San Francisco Silent Film Festival. The festival's upcoming winter event, a now annual day-long series of screenings at the Castro Theater, takes place on Saturday, February 16.
Playwright Anthony Clarvoe credits Anton Chekhov with providing much of the inspiration for his drama Our Practical Heaven, which is receiving its world premiere at Aurora Theatre in Berkeley. It's doubtful that the Russian master would be flattered.
Mary Pickford: Queen of the Movies was published to mark the 120th anniversary of the birth of the silent era's most accomplished, most popular and most beloved stars. Recently, its author answered some questions about her new book and the importance of Pickford.
"We love to meet locals when we travel and see how they live their lives; what places they prefer to visit the most. That's where we want to be. We think others will too."
This should be a big year for the Niles Essanay Silent Film Museum, in Fremont, and it's off to a great start with this month of early cinema in the East Bay. Here's what's playing.
Brought together through Mary Zimmerman's unique perspective, White Snake is one more exhibition of a visionary's genius. Zimmerman doesn't simply fashion engrossing plays; she creates theatrical magic.
Clipping along through the crisp night air, comfortably cozy under a provided blanket, we experienced some San Francisco magic in a Pedicab. This was certainly the way to travel!
In the late 1950s Thornton Wilder started a project that was to become a series of short plays depicting the fabled Seven Ages of Man. The first two works, Infancy and Childhood, sparkle on Aurora Theatre's intimate stage in Berkeley.
Halloween is over, but if you are a fan of John Waters, David Lynch and Stanley Kubrick, Shocktoberfest is for you. The Thrillpeddlers have put on another campy, trampy and scary good time.
How little the human race has changed in the 2,500 years since Sophocles' Elektra emerged on the Athenian stage. Her drive, her obsession, her fury had a single focus, expressed in one word: justice.
One actor, roaming a stage that is nearly bare; one musician, lodged in a tiny balcony overlooking the performance space; a torrent of words -- some ferocious, some tranquil -- that recount events which may have taken place some 3,200 years ago.
Visually, Grizzly Bear looked right at home; however, this was Grizzly's first time (forgive me) occupying Oakland. They dove right in with new tracks from their critically acclaimed Shields.
However it first emerged, the sandwich-cookie concept is sheer mathematical genius: Eat two cookies at the same time, but by virtue of the fact that they are stuck together with a delicious substance, you can say that you have eaten only one.