The Communist Party of Brazil was given the political plum of running the ministry of sports by president Dilma as a reward for staying inside her Worker's Party coalition government during her dramatic move to the political center.
I personally don't care one way or the other about how young Lena Dunham is, how nondiverse the show's cast is or any of the other gripes. I think the show is smart and funny.
Despite our world's recent and evolving lessons of cultural sensitivity and economic equitability, the UK has refused to return to diplomatic efforts regarding the status of UK and Argentinian claims to the Malvinas Islands, commonly referred to as the Falkland Islands.
It would be easy to spend today reliving the tragedy of January 12, 2010, but if there is one thing I learned during my trips to Haiti over the past year, the best way to mark today's milestone would be to celebrate the progress that has been made.
There's nothing inherently wrong with being rich in America. What's wrong is when you use this wealth to disenfranchise and subjugate those who aren't.
While there are many reasons to praise the $14 million six-day opening of The Debt, the most surprising thing about it is that Focus Features debuted the film wide enough to achieve that kind of opening in the first place.
In a new interview, Ozzie Guillen tells me the surprising story of why he was drunk during both his interviews for the White Sox Manager job and explains why he thinks actor Sean Penn is a loser for his comments on Venezuela.
Ten years ago on September 11, most New Yorkers fled lower Manhattan in horror as the first World Trade Center tower collapsed in a paroxysm of glass, metal and fire. Not Alison Thompson.
Hal Holbrook was honored with the Julie Harris Award at the Actor's Fund 15th Annual Tony Award Viewing Party in Los Angeles on June 12.
This was the not the first title I had in mind for this piece. But when I dug into Clint Eastwood's life and career, it seemed particularly apt -- and not even close to an overstatement.
Eminently lyrical and rapturous in the cinematic manifold that it kaleidoscopically brings into and out of focus onscreen with each turn of the Terrence Malick lens, Tree of Life is one of those singular cinematic milestones.
Why, a week after seeing it, am I still haunted by this movie? Why do the images float through my dreams? Why can't I look at our daughter without thinking of the children in Malick's film?
This movie sounded like a train wreck: an aging rocker goes on a quest to hunt down the Nazi that tormented his father in Auschwitz. Out of this unpromising description comes one of the most eccentric performances of Penn's career.
The Tree of Life is maddening, exhilarating, gorgeous, ponderous, insightful, pretentious, epic, shallow, beautiful and strange. It will divide audiences like few films have in recent years.
Chastain, the winsome, fresh-spirited redhead who plays in two films at Cannes this year, is said to be the new rising star on the film scene.
This film is brilliant. Let's get that out of the way. That's not to say it isn't polarizing, as it looks certain to be the most hotly debated film of the festival.