Romantic Romeo is the first of the "They Do Not Deserve to Die" series from director Sally Lyall and musical director Tommie Travers. The duo have concocted a hilarious formula to introduce Shakespeare's plots to young 'uns.
As far as Security Council presidencies go, British Ambassador Mark Lyall Grant began his stint with a splash -- a live performance of the Globe Theatre's Hamlet to an enthusiastic crowd at the United Nations.
The boys shuffle in from the bright Isla Vista heat outside, eight teenagers dressed in the navy blue polo shirt, slacks, and black-and-white converse sneakers that constitute the uniform of the juvenile detention center a few miles outside of town.
My favorite course in college was one of the obvious and simple ones: Shakespeare. We read maybe 20 of the plays and talked about them. Our professor was an eccentric old Greek, Pete Phialas, who had been dragged out of retirement by a student of his.
The journalistic cowardice of peppy, preening, self-absorbed muppets is not a sign of a coming apocalypse. It is, however, a symptom of national decline. If you can't face the future with open eyes, you're probably afraid of where you're going.
Life is a series of deaths and rebirths. Death happens to our bodies every minute of every day yet; this process goes unnoticed because we are busy living life. Cells die. Skin dies. But the thought of the ultimate death stops us dead in our tracks.
Many have attempted to bring Shakespeare forward to the present-day by banishing all sense of antiquity. Few are able to retain all sense of the original, while illustrating how timeless the story can be. The cast and crew of Much Ado have achieved it.
If a would-be writer is serious about his intention to become a fine writer, he would do well to get his head out of the vampire/zombie dreck that somehow passes for literature and discover the masters.