This is an extraordinary time in the dance world, when five of the greatest ballerinas of our time, from leading American ballet companies, have, coincidentally, all announced their retirement within months of each other.
And given that 'Maleficent' is now the highest grossing live-action film that Angelina Jolie has ever starred in, it's clear that these late-in-the-game changes that Robert Stromberg, Joe Roth and John Lee Hancock did right by that A-lister. Though Peter Capaldi has a very different opinion.
Stewart and I found some interesting common ground in our childhood experiences of Tchaikovsky and Grieg -- films and recordings that would ignite a passion for classical music and for these composers specifically.
Margot Fonteyn was a simple dancer. She wanted urgently to live up to the expectations of others, placing no limit on how hard she would work to do that. In 1935, just 16, she danced her first leading role in The Sleeping Beauty.
You're confused. Enraged. Devastated. Angry. You set everyone on fire around you. You want to hide in an evil shell of darknesss where everything is black and no one can touch you. Or ever hurt you. Though it sounds like a rape victim's story -- it's not. It's the storyline of Maleficent.
When Lella Smith's 10-year-old godson, Rey, found out she was retiring from the Walt Disney Animation Research Library, he was incredulous. "Why would you do that, Auntie?" he said. "You've got the coolest job in the world!"
what if we gave everyone's favorite tales a TV twist? How would the stories change if today's TV characters were in them? Don't get us wrong, the classics are great. But we find our versions a little more "Must See."
Those annoying Buzzfeed, Quizilla and Quizfarm et al quizzes have been clogging my Facebook news feed for months at a rate that now surpasses the petition requests, memes and revolting photos of the disgusting gourmet slop people had for dinner.
When you really think about it -- would you really want your life to be like a Disney princess? Would Beyonce? When you get down to the bottom of what really makes them tick, their lives are not as glamorous as you think.
A natural-born fighter, in 2004, fate handed Breillat the fight of her life. She suffered a massive stroke that left her paralyzed on one side of her body, with difficult rehabilitation ahead and many more trials and tribulations to come.
My great aunt Brenda Ann used to visit our house every Christmas and return all the gifts we had given her the previous year. "I hated this," she would tell my mother as Mom unwrapped the Sleeping Beauty VHS cassette that she had fought over with an 8 year old at the Blockbuster bargain bin.
Matthew Bourne's dazzling and captivating interpretation of Tchaikovsky's Sleeping Beauty is magnificent in every respect -- not simply the choreography, costumes and scenic design, but also Bourne's innovative and intelligent narrative.
Let's give it up for two accomplished actors and pianists -- Jeff Blumenkrantz and Brett Ryback -- who utilize all the conventions of a cozy malice domestic to make Murder For Two hugely farcical and fun.
Matthew Bourne's Sleeping Beauty, now running at New York City Center, showcases the director's twist on yet another beloved story ballet. Overall, his recipe lightens the emphasis on ballet, but ultimately pleases by adding more of a story.
As the piece unfolds, dancers pair up and present themselves to the audience in a series of dances that give the impression of the day unfolding gradually. The mood is initially light, but begins to shift as the black box starts to take the focus -- and then the ritual begins.
We didn't really talk about that noisy controversy having to do with her role as Natalie Portman's dance double in the film, Black Swan. It's something that will probably follow her for the rest of her career but it isn't something that she thinks about. Lane is always looking ahead, never back.