Two exhibits of my work, Oil and Water and Re/Viewing the American Landscape are currently on view at Blue Water Fine Arts in Port Clyde, Maine. I've been spending summers painting in Maine for close to forty years and exhibiting there for over thirty.
As a Chicano, I love DC, but I do miss living in cities that are predominantly Latino, where art critics and aficionados alike are in closer proximity to the Latino experience and, by virtue, usually better informed, if only by osmosis.
Although I grew up in New York and have lived there for many years, I have a summer studio in Maine. Every summer I pack up and go to paint following the tradition of so many of America's painters from Winslow Homer to Alex Katz.
How did Clough analyze the potential damage from the political, cultural and religious firestorm that erupted over his order to remove one work from the National Portrait Gallery's provocative, gay-themed "Hide/Seek" exhibition?