Disenchanted turns the classic Disney children's stories on their heads, bringing the Disney princess characters to the front of the stage for a vaudevillian evening of songs, dance, and laughs as they push the envelope on tastefulness.
When we censor our children's stories to exclude the suffering that is inherent in the human condition, we isolate our children. We create an environment that promotes shame and a belief that they are not good enough because they cannot live up to the standards in these stories.
It may be pretty in pink when we're kids and tweens, but when adolescents start to find changes in their bodies -- some faster than others -- girls may look at themselves in the mirror and compare their bodies to an impossible image.
Given the story's themes of love, jealousy and obsession with youthful beauty -- so relevant to modern culture, and so conducive to physical expression -- it's easy to understand its appeal to the choreographer.
To celebrate Disney's fun female characters, Canadian animation student Miranda (aka @snarkies) created a collaborative ode to them, inviting nearly 100 artist friends on Twitter and Tumblr to choose one of their favorite ladies and illustrate her.
what if we gave everyone's favorite tales a TV twist? How would the stories change if today's TV characters were in them? Don't get us wrong, the classics are great. But we find our versions a little more "Must See."
No matter how beautifully written or "literary," a novel resonates deeply because the storyline tugs powerfully at us. It upsets, confounds and presents chaos, conflict, imbalance and upheaval -- either within its character's mind or circumstances.
When you really think about it -- would you really want your life to be like a Disney princess? Would Beyonce? When you get down to the bottom of what really makes them tick, their lives are not as glamorous as you think.
The Best of Playground Film Festival celebrated its second season in May with a series of films based on outstanding 10-minute dramas that were created as part of this important local playwriting incubator program.
The San Francisco Silent Film Festival recently offered audiences a chance to wonder just how well they knew two classic tales which, over the years, have acquired so many cultural imprints and branding opportunities that people assume they know these stories upside down and inside out.