It is a reasonably warm night in Brooklyn as I sit in a church pew in Brooklyn's Standard ToyKraft listening to Cara Francis remind us that theatre, like war, is often bad, and there are very few of each considered universally good.
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"Now I think that it is quite possible that what we're entering into is the age of manipulation. That is what made me want to make this show and what makes me want to work with puppets."
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