Everybody knows what Sundance is, more or less -- the nation's premiere independent film festival. But other than film industry insiders and Sundance groupies, almost nobody understands how to navigate the ticket thicket for the annual January film fest.
Even if you've read Lawrence Wright's book, Going Clear: Scientology, Hollywood and the Prison of Belief on which the film is based, Gibney's adaptation is an eye-opening and transformative experience.
I make a point of knowing as little as possible about the films I see at the Sundance Film Festival (or any other film festival -- or just films in general, for that matter) before I see them because I want to see them with a blank slate.
When you read the description of Best of Enemies, which had its world premiere this week in the U.S. Documentary competition at the 2015 Sundance Film Festival, "hilarious" is not the first word that springs to mind.
After 25 years in New York, I must admit I'd never stopped to think about the people who work Christmas tree stands. Never, that is, until I saw Christmas, Again, Charles Poekel's debut feature film, borne of a perhaps unprecedented dedication to research.
When mining one's own experience into a film, it is easy to fall into well-worn traps: an avoidance of deeper issues, sugar coating the main characters and succumbing to tangential storylines.
There is plenty to distract you at the Sundance Film Festival, from parties to gifting suites (which journalists are invited to report on but never to actually visit) to other film festivals going on in Park City at the same time.
Craig Zobel's Z for Zachariah is a post -apocalyptic love triangle that is haunting and lovely -- a distinct change of pace from Zobel's last film, the chillingly neon-lit Compliance.
I hit the ground running, arriving not-quite midway into the 2015 Sundance Film Festival in time to crank out a five-movie day on Sunday. That's less a testament to my stamina than to luck and logistics.
I didn't know much about TV/Film production; I just knew that I wanted to make films and I didn't have the money to do it.
In the last 10 years, Israeli feature films have made their mark on the international film scene. From multiple Oscar nominations through awards at ev...
It's the kind of thing you probably missed over Thanksgiving dinner, while gnawing on a turkey leg, bickering with your uncle, or falling asleep during a Detroit Lions game: The Miami Marlins just signed an outfielder to a $325 million deal, the largest contract in sports history.
Johnny Knoxville teamed up (through his production company, Dickhouse) with an Oscar-winning director, Daniel Junge, to bring you what is sure to be the most high-flying film to premier at January's Sundance Film Festival: Being Evel, a biographical documentary about Evel Knievel's life.
Black lives matter. Despite what we're seeing in media headlines, the actions of our courts and legal system and police departments everywhere -- black lives matter and black stories help shed light on history of race in America and beyond.
Why did no one see your short film? Why didn't it get into those festivals? Why wasn't your feature film bought and distributed? Why couldn't you sell your script?