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Suzanne Farrell

New York City Ballet Fall Gala 2015: An Evening of Fashion and Dance

Alexandra Villarreal | Posted 10.05.2015 | Arts
Alexandra Villarreal

The New York City Ballet has returned with all its relevance, strong and modern. The dancers are not "stingy." They are not "holding back." They exist in the "now," "right now." Balanchine would be proud.

DANCE REVIEW: Ballerina Wendy Whelan, Restless for a Reason

Debra Levine | Posted 04.11.2015 | Arts
Debra Levine

Balanchine's chivalrous comportment with Farrell was a memorable treat for audiences in 1965. Fifty years later, former NYCB principal dancer Wendy Whelan made the marvelous and somewhat offbeat decision to launch her post-ballet career squired not by male cohorts, but by a roster of well-selected choreographers dancing in their own creations.

Steps Toward Diversity: Youth America Grand Prix

Phil Chan | Posted 05.04.2014 | Arts
Phil Chan

Low-income families and geographically underserved students (disproportionately students of color) who have little access to local resources receive few opportunities to explore the important benefits of the arts. This sends a very strong message: Classical ballet is not for you.

George Balanchine: the Human Cost of an Artistic Legacy

Elizabeth Kiem | Posted 03.23.2014 | Arts
Elizabeth Kiem

George Balanchine co-founded America's first world-class ballet school, choreographed more than 400 works for the stage, launched the careers of a dozen stars and died an undisputed modern master -- the most influential figure in 20th century dance.

Mad Men: "The Color Blue" -- HuffPost Review

William Bradley | Posted 05.25.2011 | Entertainment
William Bradley

Last night's "The Color Blue" was a cracking good episode that, after last week's rushed and rather arbitrary plot developments, returned Mad Men to its strongest ground.