The broader point to be discussed is this: we have transitioned away from a paradigm where newspaper critics act as the gatekeeper between art and audiences to a new reality where algorithms perform that function.
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Is the future of American dance to be a farm system for companies overseas, and if this is the start of a trend, are we equipped to reverse it?
While the commodification of art has been an uncomfortable notion for the art world, creators should get online and make art more accessible.
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