It's rare that human beings develop this level of perspicacity about themselves, particularly when the insight they are making refers to the absence rather than a presence of characterological attributes.
Sam Cooke's lament -- "Another Saturday night and I ain't got nobody" -- summed up my social situation after, for reasons known only to my unconscious. I'd blown the Sweet 16 by ignoring my friendly good-looking date in favor of a sarcastic snob at the next table.
Studio musicians often augmented existing groups or replaced them entirely during recordings. When fans saw their favorite rock groups miming to their records on TV, they didn't know that often the performers hadn't played on them.
"It's a double-edged sword being a new artist. You have all the freshness and you can bring something completely unseen to the forefront if you mange to get your stuff out. My suggestion is just to follow your heart and not try to be anybody else."
Driving home to "Lawn Guyland" the day after graduating from Bucknell U. in Lewisburg, PA and blasting progressive rock station WNEW on the radio, I was struck by one of those other-worldly, pull-over-to-the curb musical moments.
"I think the culture today is very, very different from what it was in the '60s, and I feel lucky that I grew up at a time when I had these very strong female role models. They were strong women, but their power was very much connected to their creativity and their voice."
Back in 1981, Marshall Crenshaw's single "Something's Gonna Happen" was released on Shake Records, initiating his string of critically acclaimed classic albums and 45s. Now Marshall, celebrating 30 years of music-making, sits down to talk.
So, you think you know all things AC/DC? Really. Well, take a hit of the essays, historical photos, memorabilia, and general overkill contained between the over 225 pages of High Voltage Rock 'N' Roll: The Ultimate Illustrated History.