The directing debut of actor Chris Messina, Alex of Venice is as notable for what it doesn't do as for what it does. This is the story of a married parent suddenly forced to realign priorities when their spouse walks out. Think Kramer vs. Kramer - and then make the central character a woman instead of a man.
All the stay-wide-awake light and sound accompanies action taking place in the not very well-provided senior-class library at a Stockport school in England's north country. There, a group of privileged students hang out when they're not scheduled for a class or when they're scheduled for a class but don't feel like going.
Austin Pendleton's production of Anton Chekhov's Ivanov at the Classic Stage Company is something of an unsolved puzzle. And that status probably isn't entirely due to Pendleton's direction of a highly competent cast. More likely, it's traceable to the tough challenge posed by the Russian playwright himself.
Michael Urie happens to really, really like New York. At least by Hollywood standards, the 31-year-old Urie's almost exclusive devotion to the Of...