In a movie culture of ever bigger, louder, and emptier booms, and a celebrity culture of relentless panty flashes and nip slips, Mr. Lee always reminds us of elegance, of discipline, of presence. With Christopher Lee in a production, there was never any need for lame camera-shaking and ADD cutting -- he held you.
We were about a third of the way through The Hobbit when my 9-year-old asked skeptically, "Mommy, where are the girl characters?"
This award is unique by giving general moviegoers (not just industry professionals) the opportunity to vote for the best blockbuster film (among the top 10 box office movies), based upon each blockbuster's artistic quality (not simply your favorite).
I give my thoughts on how Jackson wraps up this prequel tale in my review for Jim Freund's Hour of the Wolf, and also give my verdict on the much more engaging, Irish animated fantasy, Song of the Sea.
Jackson has done something that will likely never be done again: It's not just that he got these movies made the way he wanted -- but that the way he did it was of such consistently high quality.
All my previous qualms about the girth (and necessity) of individual installments notwithstanding, there's no denying that the totality of this saga represents a singular achievement in cinematic history.
Our advocates have our best interests in mind and don't accept verdicts such as failure or disease. They may take the form of friends or family, but they begin with the good thoughts that are always occurring to us from a uniquely divine source.
So come on all you Bilbo Baggins, Captain Ahabs, Harry Potters, Anne of Green Gables and Katniss Everdeens. I know you are out there and we need you to win this one. Because how this story ends affects us all.
Well LoTR's fans, this is it. The Hobbit: The Battle of Five Armies is nearly here. And the finale film of Peter Jacksons Hobbit adaptations has made it to the the last chapter. If you're anything like me you bought your tickets weeks ago.
At this point, it seems pretty pointless to review a new entry in The Hunger Games series.
That we have been sleepwalking through such massive destabilization for decades proves that we are much better at consensually hallucinating than we are at separating our sciences and fictions.
Whether all these figures are anti-heroes, or in some cases something else entirely, is an interesting question. As is the question of why anti-heroes are so important in quality television. Short form answer is that they match the times. It's a mostly cynical and sour era, with little faith in institutions or, generally speaking, leaders.
Twitter has a new celebrity member. Please welcome The Hobbit actor Richard Armitage to the Twitter-verse! Most recently, Richard has been starring...
Why are books almost always better than the movie? The characters are never badly acted, the soundtrack is whatever you want it to be, and 35-year-olds don't play high schoolers. So give yourself the cred to say the original was way superior, and read these 10 Summer Blockbusters before they reach a screen near you.
A first impression goes a long way. That's true with people, and I think it's also true with books. When I'm choosing a new book, once I get past the title and the author, it's the first line--or first few lines--that make the decision for me.
We know today, some popular writers employ a "formula" such as fast-pacing, short sentences and chapters, and simple language, hoping to achieve success. Would I, as a novelist, seriously consider changing the manner in which I write? The easy answer is: No.