Some things are indisputable. August Wilson is on the short list of America's greatest playwrights (along with Eugene O'Neill, Tennessee Williams, Arthur Miller and Edward Albee). And Signature Theatre has a special affinity for his work.
Did August Wilson deliberately place The Piano Lesson in 1936, because that was the same Great Depression year Gone With the Wind was published? Did he intend it as a counter-balance to the version of slavery and its legacy depicted in Margaret Mitchell's best-seller?