If you loved Love, Loss, and What I Wore, which opened off-Broadway in 2009 and is the Nora Ephron and Delia Ephron adaptation of Ilene Beckerman's book of the same title, you're likely to revel in Cheryl Stern's Shoes and Baggage, now at The Cell.
Although I attended her funeral at St. Patrick's Cathedral in New York, I never knew Clare Boothe Luce in life. Through Sylvia Jukes Morris' twin works, Rage For Fame and the most recent Price of Fame, I feel I have come to know Clare in all her complexity far more intimately.
I was intrigued by Symmetry Theatre's claim that fewer good roles are written for women, I found myself wondering if people might not be aware of the variety of plays that do indeed have meaty roles for female characters.
English: "The way women get these jobs is by proving their muscle at the box office. If these movies do well, then that woman gets another chance and that woman can help other women get another chance."