Despite the trip from the Berkshires barn to the La Jolla Playhouse to New York Theater Workshop and now to Broadway, Peter and the Starcatcher has by all accounts maintained its original feel.
The Nuyorican Poets Café, the legendary venue that opened first in the mid 1970s, closed in the early '80s and then re-opened in the late '80s, is one of the cultural gems that keep NYC the hotbed of creativity that it has always been.
The use of an old jukebox with calculated selections from Hank Williams and Jon Campbell's, er, hellacious wind sound design top off this welcome addition to terrific theater staged without a theater.
Artists writing to newspapers to complain about reviews is hardly a new phenomenon. However, in my experience, it's an impotent gesture at best and a counterproductive one at worst.
It's a fantastic tale and set of characters to bring together on the stage, and yet, Bockley's book only manages to fitfully spark to life as these individuals quarrel, make up, and orate about their passions.
She laughed at a few remarks, but others that led to an uproarious response in most people, caused my mother to roll her eyes in disgust. You see, at the root of it, she was shocked by the somewhat nasty Rita Lyons and she didn't want her to be Jewish. She felt it was somehow an affront.
A word that is thrown about with abandon, 'flop' is not merely a pejorative, but an economic distinction. We would serve work better if our collective focused on the succès d'estime, rather than the success of an accountant's pen.
I am not saying that cross-dressing can't be funny, but I am saying that it is not a joke in and of itself. It is also simply old hat to laugh at a male character who seems emasculated. Haven't we moved past this?
When Slipping opens at the New Conservatory Theatre Center in San Francisco on May 18th, it will be a sweet homecoming for playwright Daniel Talbott.
If you call your play Cock, it better be a button-pushing bit of provocation that toys with gender and sexuality in ways both funny and shocking. We keep waiting, not unreasonably, for Cock's big moment, a soliloquy to sex, a panegyric to the penis, a colloquy on cock.
This evening of short plays from Nick Jones addresses contemporary issues with a decidedly quirky and dark wit. For instance, the title piece in this show focuses on a pair of brothers, barely teenagers, whose views of sex have been completely shaped by the porn they've seen online.
This is the one time in class where viewing the movie is beneficial. Shakespeare was written as a play, not a book, so seeing the scenes played out is helpful when trying to decipher the plot-line and character motivation.
In FWD: Life Gone Viral, two of the four characters in this two-actor play are tiny flies on the wall -- spying on their exes. That is, they are spyin...
The opportunity to engage a mainstream audience in something more profound than reality TV is what made me hopeful for Smash in the first place. Color me naïve. That was never going to happen.
For all the talk about how theatre is different every night because of the interplay between actors and audiences, the real difference is found in what each member of the audience brings with them: a rough day at the office, a misbehaving child, an undigested bit of beef.
Love Struck is a series of seven one-act plays, written by Dale Griffiths Stamos, directed by Maggie Grant. It's currently playing at the Beverly Hills Playhouse through May 27th.