What this whole crowd had in common was relentlessness and an unwillingness to give up despite tragedy. During my St. Tropez days Thomas Langmann was an infant, but he was raised with this mad hatter kind of joie de vivre which carried him.
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A Q&A with director Hazanavicius is excerpted from an exclusive roundtable held before The Artist's American debut at the 2011 New York Film Festival.
The crowds outside Crimson, the club where the New York Film Critics Circle held their awards, were six deep, calm in the cold behind velvet ropes, hoping to get a glimpse.
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