Labels are essential to conversation, as are boxes, but I stand by my point, which is that it's not that there are too many boxes in the world, it's that there are too few. Each one of us is in hundreds of boxes, like watercolors, splish-splashing elements of ourselves over into the others, and in my view, when colors bleed into each other, we get the most beautiful rainbows.
What seemed to me to be her most subversive and, to that audience, surprising message, was that there is far more bisexuality out there than what we'd consider purely "gay." Given that even the gay community finds that reality surprising, wondering where all the bisexual men and women are, it's one of what Wright calls her "self-evident truths," that we are far more complex than even we are willing to admit.
As we all know from the marriage debates, the opinions of others on our sexuality affect our daily lives. While the overwhelming consensus of the transgender community is that a person is whatever they identify as, others (including sometimes the government) base it on other things. The problem is it's done completely inconsistently.
I was 16 at the time my mother came out, and she seemed so much happier than when she was married to my cold, withholding, unfaithful father. So I was happy for her. She raised me to have an open mind about these things, and not judge people by the color of their skin, or who they loved, or what they worshiped. She raised me to judge them by their words and their actions.
What if most of us aren't "gay" or "straight," but somewhere in between? Artist and activist iO Tillett Wright makes a passionate case for accepting the complexity of individuality -- without making anybody feel like a second-class citizen. If her words don't persuade you, the images she shares just might.