More important than critical acclaim or box-office boom is the very distinct potential that The Canyons will come to be known as one of the most influential films in decades.
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Richard Lewis is on the phone, shot out of a cannon almost as soon as you pick up the receiver.
Completing your first exhibit is a struggle thats compounded when you can't get in to your own studio because the cops are parked outside waiting for you in unmarked taxi cabs with sirens.
I don't look back nostalgically on the grittier New York of the late 1970s. As I never experienced it first hand, I believe it's dangerous and naive to romanticize something the city has worked to rise up from.
Finding the locations used in Taxi Driver turned out to be incredibly difficult; the film documents a city that has since been demolished, rebuilt, spit-shined, and stamped with a seal of approval.
Thanks to Patton Oswalt's soulful, sometimes dim, sometimes scabrous Paul, Big Fan plunges us into the world of the superfan in a unique way.
Rogen, often a writer and producer on his comedies, is just a gun for hire in Observe and Report. This darker, often violent, bizarre and mostly unfunny movie is not the best choice for him.
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