More important than critical acclaim or box-office boom is the very distinct potential that The Canyons will come to be known as one of the most influential films in decades.
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Richard Lewis is on the phone, shot out of a cannon almost as soon as you pick up the receiver.
Completing your first exhibit is a struggle thats compounded when you can't get in to your own studio because the cops are parked outside waiting for you in unmarked taxi cabs with sirens.
Finding the locations used in Taxi Driver turned out to be incredibly difficult; the film documents a city that has since been demolished, rebuilt, spit-shined, and stamped with a seal of approval.
I don't look back nostalgically on the grittier New York of the late 1970s. As I never experienced it first hand, I believe it's dangerous and naive to romanticize something the city has worked to rise up from.
Thanks to Patton Oswalt's soulful, sometimes dim, sometimes scabrous Paul, Big Fan plunges us into the world of the superfan in a unique way.
Rogen, often a writer and producer on his comedies, is just a gun for hire in Observe and Report. This darker, often violent, bizarre and mostly unfunny movie is not the best choice for him.
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