Here's everything you need to know about what's wrong with the movie industry today: This week, three remakes of movies that didn't need remakes -- or weren't very good in the first place -- will open on thousands of screens: Robocop, Endless Love and About Last Night.
Over the past few weeks, renowned British street artist Banksy has taken New York City by storm, leaving a trail of spray paint in his wake. But graffiti is nothing new here: The city has long acted as a blank canvas to artists.
Authenticity and finding it in the fashion industry seemed to be the running theme during the kickoff of the Fashion in Film series. The series highlighted such industry legends as Iris Apfel and Catherine Martin.
Federico Fellini once said about cinema that "it's not just an art form; it's actually a new form of life with its own rhythms, cadences, perspectives and transparencies." If that is true, then a film festival is a magnificent celebration of life and its endless contours.
Novelist John Reed, the 43-year-old son of renowned New York City artists David Reed and Judy Rifka, grew up among tall ceilings and long windows in the spacious lofts of 1970s TriBeCa, then a shabby bohemia burning with creativity.
What is a movie's sell-by date? Studios give tremendous care to the timing of a release date, taking into account competitive films, holidays, market analysis, and executive instincts above my paygrade.
I knew what the odds were when we started (though, of course, I was convinced I could beat them). I'd heard the horror stories from filmmakers I'd interviewed over the years: unscrupulous and inept producers, financiers and film companies, and so forth.
Directors give up on plot or accept clichés in order to stay closer to their social missions. It seems that protests are more potent through fiction, and documentaries are more effective through storytelling. Tribeca 2012 is a docudrama festival.
In his feature film debut, Nancy, Please, director Andrew Semans has created a slyly disturbing tragicomedy that explores how a life strategy built around wallowing in one's own victimhood can lead to a rapid, and quite mortifying, undoing.