This comedy is often so deliriously entertaining and so deftly constructed, you won't realize for a time that one of America's favorite, new, politically astute comics is having her values derailed.
This film -- Kate & Lily -- is about two friends, Kate and Lily. It's about how women perceive one another and how we can be simultaneously so evil and so sweet.
It would be more accurate to say that I am not a "type" that fits into the mainstream representation of women. Where were the stories and roles that I identified with? I was stuck.
One of the most successful scenes is the wedding of this couple, with a sumptuous cake and colorful balloons flying in the air, while a crowd of young upper class wedding partyers boisterously cheer.
There have been a number of actresses who've played extremely strong, tough characters in recent years -- Meryl Streep and Reese Witherspoon to name a few -- which have been very well received and widely accepted by audiences. But the gay love story still presents a set of new challenges entirely.
Good news for Comingsoon.net's Joshua Starnes. He can recycle his critique of Pitch Perfect (2012) for its sequel: "Pitch Perfect isn't particularly bad. It isn't particularly anything. And that's what's most disappointing about it."
The movie has sent a pretty clear message to viewers that men are by nature sexual and aggressive, and women should relent, know their place and not "try too hard."
Something dramatic happens after a woman directs her first indie feature -- nothing. After successfully directing that first film, the offers to direct a studio feature come flowing in like molasses.
If the fictional world of film and TV shows a landscape of female characters who are diverse, who have unique attributes, who are CEOs and doctors and scientists -- how will that inspire our children? Will our children expect women in leadership roles? It should then be normal.
I would like to suggest a few films that originally featured predominantly female casts to be remade with all-male casts that in no way attempts to atone for or counteract or has anything to do with the reaction to the Girl Ghostbusters movie.
It didn't hurt Sunday night's ratings to have only one angry white woman of a certain age refuse to turn that dial (so to speak). We won't get Hollywood's attention -- or any other institution of power -- until all of us are angry.
I am certain that there are a few comedy writers out there who would love to see their name in the credits, but have no idea how to get there. In the spirit of sharing, here are a few highlights from my many conversations with producer Marlinda Walcott.
How do we get more women onto more boards? We should want this not because of some handout or some quota, but because they are well-qualified and will make contributions that will improve the functioning of the companies which they serve.
Sunday night's show shines as an even bigger moment for women. To deliver such pro-female, feminist-centric comedy gold at one of notoriously sexist Hollywood's biggest nights is no small feat. And after Fey and Poehler set the evening's feminist tone, the women of Hollywood ran with it.
Berkshire County closed Shriekfest Horror Film Festival in October, and came away with the coveted Best Horror Feature Film award -- and for good reason: it's frightening, as one would expect, but it's different -- very different -- and the audience loved it!
"There were very few women on the street," Joanna said, "I had to film and photograph them whenever I could, and then rely on editing to get that balance."