It didn't hurt Sunday night's ratings to have only one angry white woman of a certain age refuse to turn that dial (so to speak). We won't get Hollywood's attention -- or any other institution of power -- until all of us are angry.
I am certain that there are a few comedy writers out there who would love to see their name in the credits, but have no idea how to get there. In the spirit of sharing, here are a few highlights from my many conversations with producer Marlinda Walcott.
How do we get more women onto more boards? We should want this not because of some handout or some quota, but because they are well-qualified and will make contributions that will improve the functioning of the companies which they serve.
Sunday night's show shines as an even bigger moment for women. To deliver such pro-female, feminist-centric comedy gold at one of notoriously sexist Hollywood's biggest nights is no small feat. And after Fey and Poehler set the evening's feminist tone, the women of Hollywood ran with it.
Berkshire County closed Shriekfest Horror Film Festival in October, and came away with the coveted Best Horror Feature Film award -- and for good reason: it's frightening, as one would expect, but it's different -- very different -- and the audience loved it!
"There were very few women on the street," Joanna said, "I had to film and photograph them whenever I could, and then rely on editing to get that balance."
Not quite young enough to consider yourself "just out of college," yet still not quite old enough to spend all your free time worrying about back pain, 25 is the first age where everyone seems to expect you to have figured it out, and you may be quietly losing your mind if you haven't.
Under her rebellious helm are where socially conscious, creative and edgy films get made.
It's hard to tell if Gillian Flynn, who wrote the book and now the screenplay, is trafficking in stereotypes or trying to subvert them. We've said it before and we'll say it again: Contrary to what popular culture and men's rights activists would have you believe, women do not routinely run around making up rape claims.
Casually, I think most Americans would agree that there should be equal representation behind the lens. And I don't suspect a high-level Hollywood conspiracy. No racist or sexist villains lurking in the halls of power, twirling their mustaches. Honestly, I think dudes are comfortable with other dudes, so they hire them.
Girls and women, infinitely diverse in their interests, appearance, ambition, ability, aspirations, make up more than 50 percent of the human population, but you would never know any of this watching our top grossing films. Despite decades of research, it is apparent that we are, as a culture, so used to women being marginal that we don't even notice.
Meet Erin Bagwell: She's the director and creator of Dream Girl, a film that is encouraging girls everywhere to become leaders and realize their entrepreneurial dreams. This documentary is redefining what it means to be a businesswoman.
This week, making its New York City premiere, Writer/Director Sharon Greytak's gripping Archaeology of a Woman, plunges deeper into the portrait of dementia and its disturbing effects than any other recent film on the subject.
The cast of Orange is the New Black held court throughout the evening, and had a fab time doing it. Billy Bob Thornton also showed up, in his apparent uniform for the weekend, a well-worn jean jacket and a weathered frown.
In his recent address at West Point, President Obama said the U.S. must always be a leader. And yet, leaders of U.S. corporations, so far, have seemed complacent with a lagging status quo.
Without women's stories, we see only half of our world. Without women filmmakers showing us what it really means to be a woman within what has long been a patriarchal society, we cannot appreciate the many struggles women have experienced, nor the sweetness of the victories won.