Yesterday's centers are today's outliers. But today's outliers are tomorrow's centers. Who would have thought - from the vantage, at least, of Euro-American superiority - that northern India and various South American cities were vital artistic loci once upon a time? That concept has finally re-entered our thick skulls. Of...

IANNIS XENAKIS in his studio, Paris, early 1960s, archival exhibition print, 35 x 35 inches, collection of Francoise Xenakis, Photo by Adelmann

"I call architecture frozen music," Goethe declared. Almost two centuries later, Iannis Xenakis defrosted architecture, and a new kind of music...

WILLIAM EGGLESTON, Untitled, from Paramount Pictures, 2000, Ink jet print, 30 x 24 inches, (c)Eggleston Artistic Trust, Memphis, courtesy Cheim & Read, New York

We have to take William Eggleston at his word: his photographs may be primarily about the American South, but...

Friends with a vast circle of artists and culturati, passionate and yet logical about his "job" as a maker of paintings, Michael Goldberg was the emblem of a mid-century New York that (to use Yvonne Rainer's phrase) regarded the mind as a muscle. The six decades of paintings he left...

"What are masterpieces?" asked Gertrude Stein in the very title of one of her best known books. "What is mastery?" she could have been asking. Can one separate the art from its maker, the dancer (as Yeats asked in turn) from the dance? A masterpiece can only be made, logically,...

Is the medium still the message? Is it still possible to admire and evaluate the mediation of experience, or are we so far inside that mediation that our lives are no longer distinct from it? Is the unexamined medium not worth living? Then perhaps one of art's principal purposes is...

Brion Gysin did indeed let the mice in (as one of his books proclaims in its title). Known now mostly as cohort to William S. Burroughs, Gysin was the one who introduced Burroughs to the cut-up method. He was also a writer, a painter, a poet, a "sound poet," a...

The Los Angeles art world's discomfort with the idea of Jeffrey Deitch -- not the reality, mind you, the idea -- came to a head this summer when poor Jeffrey played into our worst expectations, or at least he seemed to. Discounting the bulk of his 35-year career -- during...

ALFRED SISLEY, The Barge During the Flood, Port-Marly, 1876, Oil on canvas, 19 7/8 x 24 inches

Impressionism is art's easiest sell, at least nowadays. What once was taken as an affront to propriety is now regarded as the most natural and pleasing...

OTTO DIX, Group Portrait: Guenther Franke, Paul Ferdinand Schmidt, and Karl Nierendorf, 1923, Oil on canvas, 15 3/4 x 29 1/8 inches, Nationalgalerie, Berlin

Olaf Peters calls the representational, highly topical style of painter Otto Dix "intransigent realism." In this, Peters marvels at...

Do Felipe Ehrenberg and Carolee Schneemann know each other personally? It's likely, given their association with so many of the most adventurous artistic phenomena of the recent past -- happenings, Fluxus, conceptual art, street theater, feminism, identity aesthetics, etc. -- and their treatment of these phenomena not simply as artistic...

Summer is the perfect time to visit any museum anywhere, and museums know it, putting on some of their best shows of the year. But in California this season the museums offerings are notably magnificent, not to mention manifold. As summer shows are wont to do, many if not most...

Yesterday's hot items are today's history, obviously enough, but today's history is also today's hot item. I marvel continually at the rediscovery of painters who made a splash three to four decades ago and then eased their way to the margins to allow younger folk the limelight. Sure, there is...

We talk urgently about what's in the galleries, but the not-so-dirty little secret is that, no matter how dynamic, progressive, and ambitious an art scene is, its heartbeat and its intellect do not reside first and foremost in its commercial outlets. Not in America's cities, certainly. There's plenty of interesting...

Should this blog provide consumers guidance or post-facto commentary? I'd like to think it could do both, but timelines and deadlines and laugh lines and Nazca lines and whatever lines I can hand you have a way of diverging, leaving me enthusing or fuming over an all-too-precipitously expired show or...

You're still owed one (1) Euro-report, but first a string of Los Angeles recommendations, especially as these shows are ending imminently. In fact, it's almost too late to catch Naomie Kremer's paintings and "hybrids" and the marquetry paintings of Paulin Paris (at Frank Pictures, Bergamot Station, 2525 Michigan Ave. #A5,...

This comes in about a week late and doesn't discuss any exhibitions, but otherwise it's a genuine Blague d'Art. All blague, no art. I'm still recovering from a near-fortnight spent in Europe - falling out around 9 pm, ravenous at 4 in the morning - but what I'm really recovering...

Nostalgia still ain't what it used to be. But what is it now? A marketing ploy that makes us long for the past because we're supposed to long for the past? A post-modernist trope that would have us disdain the past by admiring it? An FX miracle that would make...

It's all still there. More or less. Battered by several hellacious hurricanes over the last few years, our Gulf Coast has picked itself up, repeatedly, dusted (well, toweled) itself off, and picked up the pieces. The good folks living in the bayou belt from Mobile to Galveston have had a...

Okay, so I have been raving about painting shows since I started posting, lo these many days, and have done a perhaps credible job arguing that Painting Is Back. But I also posed a question: Is That (The Fact That Painting Is Back) A Good Thing? And I've not to...