Have you ever gone to an art museum and wondered what a particular piece of art meant? I have. I mean, why wouldn't you? It's a picture, or a statue, or some other object that apparently meant enough to someone at some time that they were willing to master a complete art form, scrape together enough funds to create it, and then devote what in many cases amounts to years of hard labor, if not blood sweat and tears, to create the work. And here it is now, in front of you. It must mean something, mustn't it?
Why then does nobody seem to know what most art works mean?
I remember standing in a gallery at the Met not long ago and asking a nearby docent what a particular painting that had caught my eye meant. I was curious why it was important, why my more learned peers had chosen it for inclusion in America's most famous of museums, what it meant to society, and what I might learn from it. "Can you tell me what this one is about?" I asked, innocently enough. My question drew a sort of vacuous almost robotic response from the museum employee. "Well," she queried as though I were all of 4 years-old, "what do you think it means?"
Come again?
What do I think it means? Who cares what I think it means! I'm not an expert. You are. You work here, not me. Presumably you've devoted some years of study to the topic. I'm just a visitor. You're the docent assigned to this gallery. I imagined myself retorting with a cocky, "I ask the questions here. Do you understand? Well thank you very much, can I be in charge for a while?" But of course, decorum dictates that I bite my tongue. "Um, I don't know. It seems to be about a couple... " I learn nothing from the docent.
And it's not just museum art. Composer of music fare no better.
Go to any opera nowadays and you're likely to find a story rife with murder and rape, war and pestilence, political intrigue, backstabbing -- in short, pretty much the same sort of content you read on The Huffington Post every day. Why then is it that the only real public discourse you'll find in the press after the concert has to do with whether the soprano hit her high notes gracefully, or whether the conductor took this or that section at the right tempo? Does no one care about the meaning anymore? Doesn't the content still count for anything?
I think it should.
Art has always tended to one degree or another to speak truth to power, to enlighten us, to challenge us, to stretch our understanding of ourselves and our place in the universe. It wasn't always so self-referential, so blasé, so up for grabs. There must have been a time when artists actually had something relevant to say. And I think we need that now, more than ever.
I'm no historian, but I can imagine artists may have started distancing themselves from the meaning in their own works to avoid Stalinist purges and political censorship. Maybe the thought of the likes of Mao Zedong or Kim Jong-Il or Rick Santorum evaluating every work of the human spirit and determining who gets paid versus who gets thrown into the clink for reeducation taught artists and composers and performers they ought to shut up about their big ideas and just let the rank-and-file viewer or listener figure it out on his own. I can't blame them really, if this is indeed what happened. I imagine it was no picnic for Prokofiev or Shostakovich or any of a zillion other great artists who longed to boldly go where no one had gone before but didn't want the government-approved ass-kicking that came with it. So they were left with the "see if you can guess my cleverly hidden entendre" method of communicating their ideas; and it probably worked fine for a while.
But I don't think it works anymore. We've drifted now way too far away from meaning. And let's face it, we're not the most intellectually rigorous society in the world -- at least, we're not where we want to be. Too many people just spend too much time watching the Real Housewives of [fill in the blank], and our brains are getting a smidge mushy on account of it. So I think it's time for artists to come out and just tell us what's on their minds. Challenge us for Pete's sake! We can take it.
Look, we all know we need to become more creative to survive nowadays. The world is changing, and the economy is not bubbling up in our favor at the moment. That's just a fact. Creativity is almost certainly the only way we're going to take our country to the next level of successful life, liberty and happiness. And participating in art, whether through visiting museums, attending concerts, or studying, performing or creating is the easiest way we have to start exercising our flabby creativity muscles so we can get into the kind of shape it's going to take for us to win anything tangible in this new century we've embarked upon. But to actually work, our art has to mean something. Our music has to say something. Artists have to be brave enough to get real, to actually connect with the lives of the people they're trying to connect with -- especially with the communities right around them.
"These," as Aldous Huxley once gravely intoned, "may be unpleasant facts; I know it. But then most historical facts are unpleasant." Huxley was a tough guy. The thing is though, we have the chance now to do much better, to give art back its voice while we still can. And I say let's do it.
Docents are generally volunteer grandmothers who like art. Asking them to give you the "meaning" of a painting in a famous gallery is like asking a Walmart associate to give you a lecture on engineering.
This is one of the reasons I'm representational in my painting and don't do abstract art, the meaning is muddled too often.
To me my painting is part of seeing, and my statement about art needing to communicate does not contradict you assertion.
You haven't seen my art so You are unqualified to judge it. I don't "merely copy" nature.
My inspirations are Homer and Wyeth, I paint what I like to paint, and what I like to paint is mountain landscapes and the sky. I could care less whether you think I can communicate the "essence" or not. I don't paint for you. I paint because I have to paint. So instead of "ripping up" other peope's work why don't you go paint something yourself? You can't call yourself a painter unless you paint! Any fool can be a critic!
Doc Waller
The Layman Group
www.thelaymangroup.org
Just as I am sure you edited this piece many times (and may have had another person edit it at the Post) to get its final draft Artist do the same thing. I personally do not believe in Art museums for the very reason you mention. Art is not for the masses as you are always lead to believe but for a group who take the time to learn about Art.
Why do people go to the Opera only to be bored to death? Because they have not taken the time to learn about Opera. Take the time and it becomes a different experience
One might think that a specific piece has a specific meaning to a specific artist - and most often this would be true, of course, but even artists don't always know why they are compelled to do this piece this way, and that piece another. And once their inspiration exists in this world, we may find meaning in their work that THEY never were conscious of or intended. And since all works of art ultimately stand apart from their creators, this is how it must be - a piece may have entirely different - and equally valid - meanings for different people.
I consider each creation to be a prayer - a means of accessing (as artist or viewer) what is beyond our ability to see or know, that calls forth a higher knowledge...
and I beg to differ . for the most part is neither a compulsion nor a therapy.Some of us have to stick to themes , colour harmony ( we do know what's fine and elegant ) , subjects,theme, shapes volumes etc . we would not be able to sell our work otherwise.Secondly meaning are not always "vague" or too polarized because some of us follow a genre , a tradition and a specific narrative. We create art from a basic source material.
You lot believe we survive from instant gratification ? This is not Mc Donald's . Window shopping's fine too that's what y'all should be doing instead of playing moral authority on stuff can't read beyond the lazy clichés you are being spoon fed with.
Much of the truly meaningful art, whether it be music, film or painting, is being done outside the museum or institutional walls. The challenge is for the "establishment" to connect with these artists and understand the thinking behind the content -- much in the same way that the Brooklyn Phil has reached out to the "artists" of Brooklyn.
Art is not trivial, but central to our personal, community, national, and global grasp of our reality.
My son, during his college years, was struggling with a choice to be a composer or a public policy activist. "What good does music/art do, given the dire problems of humanity?"
We walked and talked for an hour or so, and came to the realization that facing our practical challenges required not only creativity, but an elevation of the human spirit, beyond our day to day personal and parochial concerns. The composer, or other artist, creates a vision which inspires, and makes us more than ourselves.
May the Brooklyn Philharmonic, and the teeming community of artists, and we enthusiasts for their work, continue this enlivening common enterprise!