Third place goes to the first wide release of the year, Season of the Witch (trailers). This medieval horror romp was supposed to be released by Lionsgate earlier last year, before it was unceremoniously dumped by the studio and picked up by Relativity. The Nicolas Cage/Ron Perlman action picture grossed a patently mediocre $10.7 million over its debut weekend. Still, that's nearly double the $5.5 million opening weekend of Relativity's previous stand-alone theatrical release, The Warrior's Way (review). So while it may be fun to pile on Nicolas Cage and his seemingly arbitrary choice of roles, this may be a case where the blame lies more with a small studio struggling to compete in a crowded marketplace. Whether or not the film would have opened stronger under the Lionsgate banner (and/or with an R-rating), the picture cost $40 million and should break even at the end of the day. This is the kind of picture that screams casual rental and runs on FX until the end of time. Expect Cage's next picture, the 3D grindhouse action throwback Drive Angry, to perform quite a bit better.
The other major wide release was the nationwide expansion of Country Strong. The critically-savaged Gwyneth Paltrow country music melodrama opened with $7.3 million on 1424 screens. That may not seem like all that much, but it's nearly double the biggest weekend gross ($4.25 million) for Jeff Bridges's Crazy Heart. It's doubtful that the picture will have the legs to match the $38 million final gross of last year's Oscar winner, but Paltrow's turn at twang only cost $15 million, so a solid profit is inevitable. I'm not entirely sure why this one opened in limited release over Christmas, as it exposed the picture to the very sort of audiences who were likely to ridicule it, if only based on the almost satirical trailer. This one is a mass audience picture, so all the two weeks of limited play gained it was two weeks of bad buzz. Come what may, this is an interesting show of Paltrow's genuine star power. While the film opened to just over $7 million, Paltrow is responsible for most of that all by herself.
In holdover land, the three big Oscar contenders continue to burn up the charts. Black Swan (review) dropped just 4% over the weekend, grossing $8.4 million over the weekend. The psycho-sexual ballet thriller now sits with $61.5 million mark, which is a little astonishing for a picture such as this. The Fighter (review) sits at $57.8 million, meaning it will easily outgross the far more high-profile boxing dramas Ali ($58 million), Cinderella Man ($61 million), and Rocky Balboa ($70 million). And The King's Speech grossed another $6.8 million (-12%), giving the film a $33.3 million total and insuring that it will top $50 million before the Oscar nominations are even announced. Blue Valentine remained in limited release for another weekend, but the acclaim marital drama grossed over $17,000 per each of its 40 screens. Say what you will, but this year's Oscar crop will be filled with films that connected with audiences and critics alike, which is always refreshing. Results like this encourage studios to actually make more mid-to-low budget dramas. As I've been saying for years, the adult drama isn't dead, it just shouldn't cost $80 million. In less successful expansion news, the comedy I Love You Philip Morris expanded to 100 screens but grossed just $226,000. It looks like Jim Carrey's hosting stint on Saturday Night Live last night was for naught.
In big-budget land, Tangled (review) sits at $175.8 million, officially dethroning Tarzan ($171 million) as the Mouse House's third-biggest non-Pixar cartoon of all time, behind Aladdin ($217 million), and The Lion King ($328 million). Tron: Legacy (review) dropped 47% over the weekend, and ended its fourth weekend with $147.9 million. Had the film cost a little less (allegedly $200-300 million), this would be a fine figure. As it stands, it's no flop but it leaves a proposition of a sequel basically down to a coin flip. And if ever there were a film that would fall victim to 'the Tomb Raider trap', it's a Tron part III. The Chronicles of Narnia: Voyage of the Dawn Treader (trailer) dropped hard after the holidays, plunging 53%. But the beleaguered Narnia adventure ended the fifth weekend with $94.6 million, meaning it will top $100 million next weekend. It's cleaning up overseas, so equaling the $412 million worldwide gross of Prince Caspian is not out of the question. That would make the third Narnia picture, which cost $140 million, far more profitable than the $225 million-costing Prince Caspian. Yogi Bear (alternate ending) sits at $75.6 million, as it nears its $80 million budget. Harry Potter and the Deathly Hallows part I (review) has now grossed $287.7 million, edging closer to the $290 million threshold surpassed by the last three sequels. It also crossed the $900 million mark worldwide just this week, so it's got that going for it too. Finally, Unstoppable crossed the $80 million mark this weekend, which is great news for the dynamite action picture.
That's it for this weekend. Join us next weekend, a holiday weekend no less, when The Green Hornet (trailer) squares off against The Dilemma.
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