The actual ten Best Picture nominees were pretty much as predicted a couple months ago (eight of the ten films made either my Best of 2010 or Overrated of 2010 lists). You have two mainstream blockbusters (Inception and Toy Story 3), two mid-summer arthouse favorites (The Kids Are All Right and Winter's Bone), the one Oscar-bait critical darling that didn't quite catch fire at the box office (127 Hours), the presumptive front-runner (The Social Network), and the four uber-popular, audience-pleasing bits of late-year Oscar bait (Black Swan, The Fighter, The King's Speech, and True Grit). It's a solid cross-section of nominees and proof that the ten-nominee gimmick is a pretty great idea. Not only did the best damn film of the year get in (Toy Story 3), but five of the ten films were released prior to the official Novemeber/December Oscar-bait season. I'm still pulling for a Pixar upset, but right now the four front runners (the films with Picture, Director, Acting, and Editing nods) are The Social Network, Black Swan, The King's Speech, and The Fighter.
I could spend a column whining about what shouldn't have been nominated (everything about True Grit save Halee Steinfield), and I won't mention that I see not a single minority in any of the major nominees lists. But I will only make mention of the fact that Helen Bonham Carter, having spent the last two decades playing all manner of weird and unique characters, gets an Oscar nom for playing the cliched 'supportive, nurturing, stand-by-your-man wife', a character with little to do and almost no dialogue. But let's move on to positive developments. Melissa Leo is now a two-time Oscar nominee and I can't wait to be able to type the sentence: "Melissa Leo is an Oscar-winning actress". Christian Bale received his first (!) Oscar nomination for The Fighter, and he's still the front-runner (only Geoffrey Rush can beat him). Natalie Portman of course was nominated for Best Actress for Black Swan, and at this point she still seems unbeatable (barring a 'career-award' upset from Annette Bening).
John Hawkes pulled off a somewhat surprising (and completely pleasing) Best Supporting Actor nomination for Winter's Bone. Best Actress nominee Jennifer Lawrence justifiably got most of the media buzz, but Hawkes's supporting turn truly dominates the third act of the terrific little drama. Jackie Weaver snagged a Best Supporting Actress nod for Animal Kingdom, which means the DVD I have from Blockbuster is will probably be watched this evening. Javier Bardem got a somewhat surprising Best Actor nod for Best Foreign film nominee Biutiful and Michelle Williams snuck in for Blue Valentine. Nicole Kidman got a deserved nod for Rabbit Hole, as it's nice to see people talking about her acting instead of her alleged botox treatments, and/or the shocking fact that films like Rabbit Hole don't play like Happy Feet or Batman Forever. Whatever my issues about The Social Network (its truthfulness, its alleged cultural impact), Jesse Eisenberg gives a genuinely brilliant performance, so I'm happy he was not lost amidst the press given to director David Fincher and writer Aaron Sorkin.
The Illusionist made the cut in the Best Animated Film Category joining Toy Story 3 and How to Train Your Dragon while beating out more mainstream releases like Despicable Me and Tangled. I sincerely hope that the voting block doesn't engage in Pixar-backlash and deny Toy Story 3 the Best Animated Film win that it so clearly deserves, but that's certainly possible. There were few surprises in the various technical categories, although I'm somewhat happily surprised that Tron: Legacy missed out in the Best Visual category. Good on the terrific action picture Unstoppable getting a deserved Best Sound Editing nomination, and yay for Harry Potter and the Deathly Hallows part I getting notice for its often-invisible Visual Effects and its moody Art Direction.
That's all I have for the moment. I'll offer my predictions for who or what will win in what categories when time permits, but that's enough ranting for now. Who do you think got robbed and/or undeservedly nominated? Which nominations made you happiest? Feel free to check in. Oh, and full nomination list is below.
Scott Mendelson
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I will probably watch Black Swan one more time, just to see why I found it so disturbing.
I enjoyed all the other nominees I saw (I did not see Toy Story, and never will, or Inception, which I will), but won't watch any of the others again, on purpose, even though I enjoyed them or was engaged at the time. The King's Speech was particularly enjoyable, and if I ever do watch it again, it will be on DVD and i will just watch and marvel at Geoffrey Rush. But first time around I liked it.
Social Network...I enjoyed it once and forgot I had already seen it two days later.
Two cents.
She is good in everything.
I liked her in "Chloe" more though.
I'm also sad that Pharrell was not recognized for the excellent original songs he contributed to "Despictable Me". But I'm not surprised. The Academy always seems to miss the boat when it comes to recognizing great songs from movies.
Compare the film that won Best Animated Film award with the film that won Best Picture that year, for each year since the BAF award started being given out, and I think you'll see my point. Which film do you think was a better film?
2001 - "Shrek" or "A Beautiful Mind"
2002 - "Spitited Away" or "Chicago"
2003 - "Finding Nemo" or "Lord of the Rings - Return of the King"
2004 - "The Incredibles" or "Million Dollar Baby"
2005 - "Wallace and Gromit - Curse of the Were-Rabbit" or "Crash"
2006 - "Happy Feet" or "The Departed"
2007 - "Ratatouille" or "No Country For Old Men"
2008 - "Wall-E" or "Slumdog Millionaire"
2009 - "Up!" or "The Hurt Locker"
I was hoping Ryan Gosling would be in the Best Actor lineup.
The original totally bowdlerized the novel by placing the "True Grit" solely on John Wayne.
This new version corrects this and tells the tale of a 13 year old girl with "True Grit".
Most the main plot points are in both films yet they play very differently.
A worthy "remake" for sure.
With that said the film was a well deserved 'payday' picture for the Coen Brothers whose last film "A Serious Man" was much better.
Those films were actually edited from a Swedish TV mini-series.
Timberlake was very good.
Moore sadly is a victim of the silly, implausible, insatiable affair in that film.
I'm sure there are many gay people that were offended by that story line.
The Potter kids will have to do something else to earn their Oscars.
(Although some sort of special award or recognition is in order for them.)
Watson may very well have the chops to do it.
and on SNL he is a very talented comedic actor.
so no he is a fine actor indeed.
I'm willing to set aside the looks but "actor" Justin Timberlake?
She should win hands down.
Those horrible sequels will probably diminish it's legacy.
EVERYONE was raving about it and was shoo in for Best Picture - until enough Academy voters realised it was just a $200m video game with a rotten script and woeful one dimensional acting!
When I saw Avatar I hissed at the rotten dialogue and wooden acting. The millions spent on special effects could not save it from being a dog of a film!
Nobody seems to remember that film at all, its not on anyone's list