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	<title><![CDATA['Indiana Jones' and the Blockbuster of Doom]]></title>
	<url>http://www.huffingtonpost.com/cathleen-falsani/indiana-jones-and-the-blo_b_103098.html</url>
	<abstract><![CDATA[<p><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp0.blogger.com/_T46kEyyVU_k/SDKaGIdE8zI/AAAAAAAABYo/zh1X-zayxHE/s1600-h/indiana+j.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;" src="http://bp0.blogger.com/_T46kEyyVU_k/SDKaGIdE8zI/AAAAAAAABYo/zh1X-zayxHE/s400/indiana+j.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5202389949705679666" /></a>Doom is such a marvelous word. While not exactly onomatopoeic, it almost sounds like the emotions the word is meant to evoke.</p>

<p>Destruction. Apocalypse. Judgment Day.</p>

<p>The resonance of doom's vowel -- especially if drawn out and intoned deeply <span style="font-style:italic;">a la</span> James Earl Jones -- echoes the way the notion of doom makes us feel.</p>

<p>Nervous.</p>

<p>It's no wonder apocalyptic themes are so popular in contemporary film, including...</p>]]></abstract>
	<taxonomy><![CDATA[]]></taxonomy>
	<date_published>2008-05-30T05:12:00-04:00</date_published>
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