These stories all began as Facebook posts, an exercise in compressing tales into the constraints of only 420 characters, including spaces and punctuation. I call them 'tales' for, in the ones that work best, there is a narrative arc that takes place in the space of a breath.
There is definitely an argument for working in close proximity to other artists -- that's why they invented art colonies. The Lou Beaches demonstrate that the family that glues together sticks together.