Even with all the thematic non sequiturs and "low brow" imagery -- and perhaps because of it -- Three Men and a Baby seem acutely aware of their distinct interplay with highbrow art and the implications of that relationship.
The new GOP's strategy in the 112th Congress is apparently to shut down the entire economy and undermine the U.S.'s global credibility to agitate for policies that even their new majority could not otherwise enact.
The Blue Dogs are right about campaign strategy in some conservative districts -- but they greatly overstate their case. Granularity is usually lost in our political narrative, and the numbers suggest subtle, diverging politics.
How does writer-director Adam Green's sequel about a shockingly corporeal, hatchet-wielding ghost and the various, foolish mortals who are his victims stack up to his 2006 sleeper? Is it a cut above or a notch below?