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Alice Englert

Cinefantastique Spotlight Podcast: Beautiful Creatures

Dan Persons | Posted 04.20.2013 | Entertainment
Dan Persons

The writer and director here is Richard LaGravenese, raising the question: Can the man who was an Oscar nominee for The Fisher King and has garnered praise for his screenplays for A Little Princess and Beloved, among others, bring a similar intelligence to a teen-oriented romance?

Beautiful Creatures: Writer-Director Richard LaGravenese Discusses His Wondrous New Film

Gregory Weinkauf | Posted 04.16.2013 | Entertainment
Gregory Weinkauf

Beautiful Creatures is wonderfully wrought, funny, smart and enchanting, the best film I've seen thus far this year. Indeed, it's a tale of young love set in a milieu torn between the status quo and the supernatural.

Review: Beautiful Creatures (2013) Is Almost Fantastic

Scott Mendelson | Posted 04.15.2013 | Entertainment
Scott Mendelson

So much of Beautiful Creatures is so unexpectedly terrific that it's almost a tragedy when the picture eventually falls victim to its own plot.

Madeline Boardman

Being Compared To 'Twilight'

HuffingtonPost.com | Madeline Boardman | Posted 02.13.2013 | Entertainment

"Beautiful Creatures" star Alden Ehrenreich is just 23 years old, not that his hair would agree. "See?" Ehrenreich asked HuffPost Entertainment whi...

Is This 'Twilight' Spinoff Better Than 'Twilight'?

AP | CHRISTY LEMIRE | Posted 04.15.2013 | Entertainment

The genders have been reversed but the supernatural, star-crossed teen angst remains firmly intact in "Beautiful Creatures," which clearly aims to pic...

Movie Review: Beautiful Creatures

Marshall Fine | Posted 04.13.2013 | Entertainment
Marshall Fine

Based on the first in a series of books by Kami Garcia and Margaret Stohl, Beautiful Creatures (opening Thursday) hopes the "Twihards" can shift their focus from the undead to the magically endowed.

AFI Review: The Personal War of Ginger and Rosa

Brian Formo | Posted 01.09.2013 | Los Angeles
Brian Formo

Writer/director Sally Potter has switched the shift typical of films set in the 1960s from personal and sexual enlightenment to stone-still disillusionment in Ginger and Rosa, which begins with the mushroom cloud of Hiroshima.