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The first Llyn Foulkes' work I saw was one of the "blood head" works and it left a lasting impression. As I discovered more of his work, I could see that it is often dark, yet humorous, and he certainly doesn't shy away from contentious issues.
Here, let me toot a horn suspiciously close to my own. I've been invited by the New York Academy of Art to moderate a public conversation of their graduating fellows on Tuesday.