It comes as no surprise that the economic downturn has hit arts organizations with stunning force. It is also no surprise that opera companies have been hit hardest of all.
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If you're at a writing conference at the Richard Hugo House, Seattle's literary hub, and a cheerful, chestnut-curled woman strides into the overfilled workshop room and announces, "We're going to O-Rama!" you've probably found Alix Wilber.
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