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Assemblage

Mining Creativity From a Secondhand Store: The Clayton Brothers at Mark Moore Gallery

Annabel Osberg | Posted 08.19.2014 | Arts
Annabel Osberg

The exhibition's color scheme is gaudy and disjunctive like the colors of a thrift store's multiplicity of objects. The Claytons' palette is skillfully mismatched in a tongue-in-cheek nod to the untrained chromatic discord of paintings found in secondhand stores.

Repurposing With a Passion

D. Dominick Lombardi | Posted 09.13.2014 | Arts
D. Dominick Lombardi

In an attempt to bring together compelling examples of this trend, I asked a number of artists from various parts of the world to answer four questions with the hopes of clarifying this ever-increasing phenomenon of repurposing with a passion.

3 Art Shows to Catch Before They Close This Month

Noel Alumit | Posted 12.07.2013 | Los Angeles
Noel Alumit

Manuel Mendive's career spans 50 years, yet most Americans may never have the chance to see the depth and breadth of his work. This exhibition gives the tip of a huge creative iceberg.

Your Show of Shows

Bruce Helander | Posted 09.14.2013 | Arts
Bruce Helander

Just when you thought it was safe to go back to the sizzling streets of Chelsea, not expecting to discover something particularly notable in the typical "summer show" venues but nevertheless making the rounds, out pops a truly unique and memorable exhibition that is shaking things up.

Hearsay

D. Dominick Lombardi | Posted 05.18.2013 | Arts
D. Dominick Lombardi

Like Kurt Schwitters before her, Julie Schenkelberg breathes life into the lost and forgotten.

Matjames Metson's "Method Attic": The Lost and Forgotten Transformed

Lisa Derrick | Posted 09.28.2012 | Arts
Lisa Derrick

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Assembling America

Posted 07.12.2012 | Arts

If painting is a monologue, Bruce Helander's collages are a chattering classroom, where literary legends and academic facts get whispered in the same ...

Kessler's Blue Period

Alexander Adler | Posted 04.18.2012 | Arts
Alexander Adler

Post 9/11, Kessler's interest in surveillance has always been present in his sculptural work as he fabricated these controlled environments using security cameras and reflective surfaces to alter his subjects.

Detritus, Doo-Dahz and other Delights: This Artweek.LA (May 9-15)

Bill Bush | Posted 07.11.2011 | Arts
Bill Bush

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Too Many Openings, Too Little Time: This Artweek.LA (February 14-20)

Bill Bush | Posted 05.25.2011 | Arts
Bill Bush

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