Context is everything. At least that's the impression I had on leaving The Actors Company Theatre revival of Frank Marcus's 1965 multiple prize-winning play, The Killing of Sister George, at the Beckett.
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The beauty of John le Carré's continuing canon is that his scrutiny of spies' lives is always a metaphor for humanity's broader existential predicaments.
Simon Dee was Britain's equivalent of Dick Cavett -- for a heartbeat in the Sixties -- until he self-destructed.
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