Our institutions of higher learning have been governed by boards acting independently since our Colonial period. Let us not compromise that most essential (and historic) value--one that has largely worked well--for temporary political expediency.
If board members are not helping to raise money from their friends and associates, they are not performing one of the central responsibilities of board membership. But for many arts organizations, there is a relatively quick fix to this problem.
Yes, the world is changing -- it has always been changing. Tastes change, needs change. We must adapt to new technologies, new art forms, new ways of communicating.
Every time you read about or visit the new Signature Theater, think of Edward Norton and one of his most powerful performances -- as a family member of staggering importance.
Boards are biased, too like-minded, made up of friends who are typically cronies uncomfortable with conflict. Worse still, in most of our leading corporations today, the positions of Chairman and CEO are held by the same person.
As I travel the nation and the world speaking to arts leaders, there is one phenomenon I observe virtually everywhere: arts organizations consistently grow to the point where they are slightly uncomfortable financially.
In my building, and most others I've heard about, there are two ways to get above-and-beyond service from the doorman and other staff: Tip well, or ge...