Jazz is a unique language, its free form and openness is a statement in itself. It had from the very beginning a contagious effect in the world from 1920's on, mainly thanks to Louis Armstrong and Duke Ellington.
"I always try to make stuff that affects me and I think that if given the chance, a lot of music that doesn't seem like the formula of what might be a hit would be more popular. There's a lot of great music that doesn't sound like whatever. Everything sounds very dance-y now."
The Big Bang may have been the theme of this year's Watermill Center extravaganza of a summer gala, with its outsized red phalluses, neon ninjas, and popping balloons, but many East End events make big noise.
This is not a blog about golf, although the two jazz musicians here in question will tell you their attempts to master the sport require almost as much time and energy as prepping for shows at the world's top music venues.
I wanted to share a story today about one of those very heroes in hopes that it will ignite more supporters to champion the work still needed to be done in Japan and for future natural disasters.
Legendary jazz pianist Ellis Marsalis has been accumulating a series of honors, with the upcoming NEA's Jazz Masters Award being one of the most prestigious yet.
I was taken aback when a CNN commentator conjectured that New Orleans residents are now looking for their "Pound of flesh." Our diaspora is not Shakespeare's Shylock character.
In the vein of Stephen Colbert, imagine getting the candidates to all sign a Rebuild New Orleans pledge. After the race, their surplus campaign funds would go directly to rebuild New Orleans.