You won't ever find James Chance out of his suit, neckwear or pompadour. And what may read a bit antsy on the outside is the opposite on the inside, for James is focused within the realm of his radical energy.
"There isn't much hiding the heartbreak in this song," Diane explains. "It's about the point of knowing how bad the blow is gonna be but hoping you can just stall reality." Check out the premiere of the track "Tell Me Tomorrow" from the upcoming record.
Perusing a photo of his father in a boat on his honeymoon, smile wide and happy, in his documentary Deconstructing Dad, noted film editor and director Stan Warnow says ruefully, I never saw him this way.
A funny thing happens when people gain any type of notoriety. Suddenly everything is scrutinized and over-analyzed in a way that never was at the start of an artist's career. It's an unavoidable law of life... or is it?
"I've made a lot of records because that's what I do, and I've listened to a lot of records, and I have to tell you the truth--it wouldn't have mattered if The Beatles had recorded "A Hard Day's Night" on Silly Putty. It would have sounded good."
It's not just the thought that counts; it's the overview of how each year we repeat the journey home. And on the return -- our jeans a little tighter, the déjà vu unpleasantries of travel; all a mere blip, as in the end we still do anything to come home to our loved ones.
Oliver Stone is never content to just make one movie; he always makes several, then squeezes them all together into one engorged package, chockablock with gaudy visuals, oversized characters and unchecked passion.