I advise you to give up trying to figure out how everyone fits into assorted productions of Chekhov and just sit back and allow Christopher Durang's Harvard-honed wit and fine sense of camp to creep over you like a parlor game, directed with economy and finesse by the brilliant Nicholas Martin.

"I don't normally have this," 29-year-old playwright David West Read assured a reporter, referring to the dark blazer he wore over his t-shirt. "Thoug...

The one female in the stellar cast is Celia Keenan-Bolger. I had the opportunity to chat with her to talk about Peter and the Starcatcher, playing a child once again, marrying fellow actor John Ellison Conlee and the rest of her talented family.

So what is the scorecard of play production, both commercial and not-for-profit on Broadway over these last 20 years? Three hundred and ninety-seven productions by 228 playwrights, with more than a quarter of the plays produced written by the 17 men listed above.

Noel Coward's timeless comedy opened last week at the Music Box Theatre, and if you have the privilege of seeing Paul Gross's long-awaited Broadway debut, you'll enjoy a nuanced, charismatic star turn.

A new musical from the creators of Avenue Q, In the Heights and Next to Normal just opened in LA and it is a smash-mouth cheerleading sensation.

An arsenal of language is deployed in this play, making you titter until the words themselves stop meaning what they mean, becoming pause, punctuation, and, at times, punishment.

Othello and War Horse are both works on a monumental scale. On these evenings I was reminded of why I chose to spend my life sitting in darkened theaters.

Language has failed -- that's Guirgis's story and he's gallantly sticking to it. This modern rom-com is to be greatly admired, enjoyed and seriously pondered after the final fade-out.

Perhaps I found Priscilla dispiriting because I had been so exhilarated the night before by Rob Ashford's revival of Frank Loesser's How to Succeed in Business Without Really Trying.

There is a wide-open landscape on the iTunes app store merely waiting for serious Broadway content. Playbill must look beyond its website and in-theater booklets and focus on engagement and digital creativity.

With the holiday season securely upon us, it is basically a universal truth that throngs of visitors will enter New York City for a glamorous white Ch...