On Thursday, the opening day of the 2011 Sundance Film Festival, my actual Sundance day began and ended with the opening night screening of Susan Rost...

I can't stop thinking about Catfish, the buzzed-about documentary that follows a New York photographer who begins corresponding with a family in Ishpeming, Michigan.

In a stupidly crowded weekend at the box office, we had four major wide releases and at least two major limited debuts. Let's dive in.

In a time of moviemaking where fiction is shot to look like a documentary or a home video -- think The Blair Witch Project, Cloverfield and most recently, The Last Exorcism, -- Catfish is the exact opposite.

My last full day at the Toronto International Film Festival was a day of hits and misses.

The roots of Sundance were acres of granola-flavored films about people in small towns or women in crisis or something that was equally high-minded but was consistently bemoaned as not being particularly commercial.

One of the most unique films is Adrian Grenier's Teenage Paparazzo, a documentary in which the Entourage star explores the world of modern paparazzi.